Listen to the Tapey Goodness

Getting Unstuck 

I recently realized what I’m doing here with all this 4 track and tape stuff, and why I’m doing it.  The jump back to old school analog was about being stuck or stalled out with making acoustic music on a computer as a solo writer/performer trying to record myself.  

So, I wanted to share some tips with you in case you find yourself in a stalled or stuck feeling with writing and recording music. The tips I’m going to give you come from a book I recently read, Hidden Potential by Adam Grant. https://adamgrant

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One Reason Why Cassettes are So Great 

I was in my parent's basement looking for the old tape deck I knew was down there somewhere.  I found it.  It didn't work.  Next to it there was an old bucket filled with aged cassettes, nails, and dust.  Most of the tapes were not labeled, but one was.  "Tape from Wedding" was written on Side A of the tape.  The other side had no label.  I got the old tape deck working with some new belts and a lot of trial an error getting the mechanism to run again after 25 years.  I put in the tape and immediately was…

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Why you should ditch the DAW (or at least take a break from it) 

I'm not an audio engineer - I'm a self-recording indie folk songwriter type of person.  I don't usually use the term singer-songwriter because I would never sing without an instrument, so I don't really feel like I'm a "singer."  I've recorded in studios, basements, stages, and my car.  Anyway, I've been DAWless for about a year now and I want to share what I've gained and lost in that transition.  

First, I believe the DAW is an amazing advancement in technology and puts music studio tools in the hands of…

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The Low End is a project by Pennsylvania indie folk songwriter, Greg Meadows. The project idea came from the desire to escape the inundation of perfect-timing, computer-generated chord progression, pitch-corrected, digital-synthesized, electronic music tracks flooding our collective ears, eyes, and consciousness.   In the age of modern music, the inescapable truth is that computer programs and "producers" are aggressively shoving track after track into the world containing little, and most often, no humanization.  The Low End began as a single question:  "are there people out there that still want to hear acoustic music played by an actual person on a real instrument?"  To answer the question, The Low End set out to write, self-record, self-produce, and publish an album made entirely on a Tascam 246 cassette tape four-track.  The Low End's heartfelt acoustic music emphasizes song and emotion over hi-fidelity and produced-perfectionism.  The collection of songs on the Low End's upcoming EP, The 246 Tapes, are raw and real in their imperfection, and an open invitation to a temporary departure from our modern digital existence (yes, we appreciate the irony that you pretty much have to listen to it on a digital platform ((but we are planning to release a limited run of cassettes))).    

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